My experience with the Ashley Wint Movement Co. has been
inspiring, insightful, and spiritual.
Every day we wake up in our bodies, use
our bodies throughout the day, and go to sleep with them at night, but rarely
pay attention to them, really listen and notice. When we do pay attention to
our body it is in an almost cruel way, at the gym we push ourselves through the
pain, repeat mantras in our head like “push harder” and “don’t be weak.” We
don’t notice or forgive our bodies for just being.
In Ashley Wint’s class I was allowed to take the time to notice and expand my
understanding of how my body moves and how it reflects who I am. Now, to the
untrained eye, it may have looked as if we were just rolling around on the
floor, and at first that is how I felt, but the way that Wint guides her
students, I was able to allow myself to relax and let go with focusing on the
conversation that was happening between the space of the room and my body.
Besides her obvious knowledge and passion of movement, her ability to recognize
the different levels of her students is what made the time in class that much
more comfortable—I feel as if I received a one on one.
As a theatre professional, I have seen the lack of importance given to the
training of the body. The voice, which is important, is given more focus.
However, without the body and only the voice, actors are nothing more than
talking heads. As a director who has worked with actors ages 7 to 56, movement
is one of the hardest things to address in a constructive and successful way.
Even if you tell actors to walk across the stage a certain way, if they are not
strongly connected to their bodies they have not hope of truly manipulating it.
Wint’s movement company has a strong mission that you start to feel a part of
the moment you leave class. I am excited to continue my study about how my body
moves and how I can utilize that understanding in the theatre.
Whitney Hershberger
Theatre Teaching Artist and Director
MFA in Arts Administration, Southern Utah University
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